Sunday, December 30, 2012

Fiona Apple's - The Idler Wheel

With the end of the year comes end of the year lists. I thought of making a top ten, but I'll start with one.Here is my most unexpected love of this year:

Fiona Apple's - The Idler Wheel Is Wiser Than the Driver of the Screw and Whipping Cords Will Serve You More Than Ropes Will Ever Do.

This album possibly had the longest most obnoxious title ever, but inside are depths of rhythems and lyrics I have pondered and will continue to ponder.

Unexpected love, possibly unwanted love. For me, this album was not an instant friend. I turned it off, barely made it through the first music video I watched from it, and was put off by its unique flavour. However, it kept showing up! A review here, a comment in a newspaper article there, a reference on some media source. These kept pushing me back into this album, and now I truly enjoy it each time I listen to it.

This may not be for everyone; but maybe, if you are "cultured" or as persistent as I was, you will come to love this album as well, even though it might qualify in some categories of "weird."



 I hope ya'll in internet lands are having a great winter season :)

Sunday, December 9, 2012

Oatmeal-like love

I started eating oatmeal for breakfast when I was a teenager.  I still have oatmeal for breakfast every day.  Well maybe not every day, but the rare day that I don't have oatmeal, part of me is always a little bit disappointed. I like it so much that I even started bringing it for lunch at school and work.

You know that feeling in the morning when your alarm is going off, and you're thinking of hitting snooze for the fourth time?  The thing that motivates me to throw back the covers and heave my heavy body from bed is usually the thought of getting to eat oatmeal. Every morning I wake up excited about breakfast, even though I’ve been having the same thing for nearly eight years.


Oatmeal is a simple food; it’s not pretentious; it’s an everyday food. It can be made with many combinations of flavours. It will come with you anywhere.  It is good any time of day. It’s filling and wholesome. It warms you to the bones. It can't be hurried.  It takes a long time to eat, long enough to read.


I want to have friends (and if I'm lucky a spouse) that I love like oatmeal. I want to have people in my life that I get excited to get out of bed, because I get to have another day with them. I want friends that won’t get sick of me, nor I of them, even though we’ve been together for a long time. I want to have people that will come along with me on trips, big or small, mundane or exciting.  I want people that warm my bones and nourish my soul, and I for them.  I want friends that have time enough to sit down and read together. 


Thank you if you are already an oatmeal-like-loved friend in my life. You make my every day better.  

Friday, November 30, 2012

My 2012 According to Instagram

Silas, Kelsey, Danielle and Amy all chilling on a really old bridge.
So it's that time of year when nobody has time to write blog posts because we're writing papers, studying for exams, getting ready for the holidays, out skiing, doing whatever it is that prevents us from blogging. My excuse, anything school related.

But no more excuses.

It also happens to be that time of year when all your favorite blogs prove how hip they are by posting things that were culturally relevant to the year just had. And because I'm sick of doing homework, I thought I would post something fun that is definitely culturally relevant to 2012 - Instagram. I understand that Instagram isn't a 2012 thing, (I've been using Instagram since October 2011, and I was late on the scene) but I would argue that 2012 is the year that it really caught on. For those of you who don't know what Instagram is, go to your neighborhood hipster hangout, wait for them to order their food and then observe the amount of iPhones being used to take pictures. This pictures will be edited to make their food look like vintage food, and then shared on the world wide web. Today Instagram is used for everything... literally everything. From maintaining hipster cred, to photojournalism.
Yep, I'm guilty of it too. But in all fairness, I make EXCELLENT perogies. Ask Silas
So without further ado, I present to you 20 (additional) Instagram photos that not only characterize important and fun moments of my 2012, but also out me as a total nerd hipster with no hopes of hiding it.

Pancake Tuesday is not a new thing, but a delicious thing. This years highlight was the banana-rum-chocolate-chip pancakes.

Adventure Time, also not a 2012 thing. That being said, it's the year I really got into it. Haven't watched it yet? You should!

Although started in 2011, the majority of the work done on my tattoo was done in 2012. If your on the lower mainland, check out Caleb's work at Capstone Tattoo.

Every Easter, I go on a hiking trip with a bunch of lovely folks. This year we hiked along the Olympic Peninsula in Washington.

This summer was characterized by many afternoons spent at Trout Lake where we would do all sorts of things the East Van hippies do, like hula-hoop, slack-line, play instruments, and sneakily drink beers in public. Don't tell anyone.

This album will end up on my "Best Albums of 2012" list. Listen to Zammuto.

My Vancouver roommates got me really into gaming this year. Small World is by far one of the most fun and dynamic games I have ever played.

This is on our way to Bowen Island to do some hiking. BC Ferries has become a huge part of my life ever since I moved to Victoria. I'm always blown away by the natural beauty that accompanies these trips.

Tash turned 20. If you know Tash, you know this is a big deal.

I used to live in this place called the Matador. It's a magical place that more resembles a community center than a place where people live (then again, I like the idea of living in community centers). Needless to say, we were horrible at cutting the lawn and the city threatened to fine us $4000 for having grass over 3 feet tall. We caved and bought a lawn mower. I was so proud, I had to Instagram it.

2012 is the year I that I tried my hand at modeling. The straightened my hair beyond what I thought was naturally possible. The show was the launch of my friends' company that fixes and recycles used clothing. Check out Rise Upcycling.

2012 is the year that Creemore Springs started showing up in Vancouver. It's a beer from home (middle of nowhere Ontario) and definitely worth checking out.

I threw a big ole Party at the Matador called Summer Fest at the Matador. We had over 20 bands play from 1am-1pm... and zero cops. I'm a big fan of DIY, and Jamison Troy who is pictured here making sweet sweet tunes.

This summer, I was invited to play with the kids band Go Go Bonkers at the festival Arts Wells. The festival takes place in the secluded town of Wells BC where the entire town is taken over for the weekend by music and art.  This is the coolest folk festival around and one of my highlights for the summer.

2012 was the year for forts. Here's one we made in our back yard.

Some friends and I drank some "mind enhancer" tea and then proceeded to find a news paper from the 1940s hidden between the walls of the house. The result was having our "enhanced minds" blown.

I built a bike! Not much to say about that other than I'm super proud of myself.

In September, I put all of my things in the back of my friends truck and moved to Victoria to finish my undergrad. Here is all my stuff, literally.

Then I was in Victoria, which happens to be quite the beautiful place!

This picture is from a massive demonstration against the proposed pipelines that would carry diluted bitumen to our coast. Read what I have to say about it here.
And there you have my year in Instagram pictures. I hope to have more 2012 lists for you soon!

Wednesday, November 28, 2012

Premodern/Postmodern Atonement

Apologies, it has been a month since the last post...life has been on the wild and crazy. Where we left off, Greg posted a critique of penal substitution atonement. So continuing with thoughts on the atonement, here is a paper I wrote for a class. Warning - this is for those who want to Nerd Out with your Geek Out!




Irenaeus a Shepherd of the Atonement for a Post-foundational Society

            Singular modes of causality increasingly are called into question because of an expanding understanding of the complexity and interconnectedness of reality. This, coinciding with the apparent collapse of foundationalism, has contributed to the complexity of postmodern-matrix thinking. Theological thought has not been exempt from these trends. This paper proposes that Irenaeus’ use of the “Good Shepherd” metaphor is beneficial and relevant for communicating an understanding of the atonement to a post-foundational society, as it ties together incarnation, persuasion, and empowerment, as a web of foundations using image and narrative rather than abstract linear sequences of causality.            Prior to articulating the benefit and relevance of rediscovering imagery of the Good Shepherd for a post-foundational mode of thought, an overview of Irenaeus’ understanding of the atonement and post-foundationalism will be outlined after which these two concepts will be drawn together.
            Irenaeus’ atonement theology is largely written as a polemic against Gnosticism. It was “the gnostic who sought to give a philosophical interpretation to Christian ‘mythology’ and so developed a highly intellectual system in which gnosis and ritual, the conceptual and the symbolic, while sharply distinguished, were religiously correlated.”[1] Against this division of concept and symbol, Irenaeus attempted to rearticulate a grounded Christian belief that was not solely abstraction. While the Gnostics denied the Incarnation of Christ and his bodily resurrection because of the material properties involved,[2] Irenaeus retorted, “he [Christ] too had flesh and blood, recapitulating in himself the original work of the Father, not something different, and seeking what was lost.”[3] In this statement, Irenaeus not only affirms the physicality of Christ, he draws in a large understanding of what constitutes the atonement. For Irenaeus, the atonement is threefold: incarnation, obedience, and recapitulation.
            Incarnation is often assumed in discussions of the atonement, but for Irenaeus it figures prominently. It is the incarnation that begins the work of atonement; it is not simply a preconditioned requirement for Jesus’ later experience of the cross. In the incarnation, “the Logos “assimilated himself to man and man to himself” in his life and in his passion.”[4] This radical joining of God and humanity in one person begins the process of reconciliation. Incarnation acted as the beginning point where “the disobedience of the first Adam was undone through the complete obedience of the second Adam, so that many should be justified to attain salvation.”[5] In this way, Irenaeus affirms the actions of the life of Jesus to be part of the undoing of Adam’s disobedience. Further, “the incarnation makes recapitulation possible. Through the incarnation Christ becomes humanity’s representative.”[6] Against the Gnostics, this representative was not an abstract idea, but tangibly present in the person of Jesus.
            For Irenaeus, obedience, actualized throughout the incarnation, also functions prominently in the atonement. The effect of Jesus’ obedience is most clearly seen where Irenaeus utilizes Paul’s imagery of Christ as the second Adam. Irenaeus draws the comparison, “just as through the disobedience of one man sin came in, and through sin death prevailed (Rom. 5:12, 19), so also through the obedience of one man, justice was brought in and produced fruit of life for the men formerly dead.”[7] It is in the actions of obedience that, “Christ became the example for men, as Adam had been the example for Christ; being the Logos of God, Christ was not only the example, but the exemplar and prototype of the image of God according to which man had been created.”[8] Through this exemplar understanding, combined with a deeply held belief in the incarnation, Irenaeus conflates the physical and cosmic realms. In this conflation “Irenaeus emphasises the true humanity and obedience of Christ in the face of temptation, he [then] can combine cosmic struggle with the human struggle here on earth.”[9] In doing so, one can appreciate how temporally-located actions have implications in the cosmic sphere, something Gnostic understandings could not conclude. Thus, through this conflation Irenaeus is able to state, “By living as the obedient, true human being, Jesus is able to place us once again on the road from which we have strayed, so that we are restored in fellowship with God and receive incorruption and immortality.”[10] This restoration finds its fuller articulation in Ireneaus’ understanding of recapitulation.
            “Irenaeus’s doctrine of recapitulation can be read as the most profound theological vindication in the second and third centuries of the universal ideal of the imitation of Christ.”[11] In this sense, it is the culmination of the obedience of Jesus and the participation of the believer. “By his active obedience the Last Adam ‘recapitulates’ the history of the first Adam. He takes up the human race into himself and takes it back to the beginning of its moral history.”[12] Thus, recapitulation is Christ returning humanity to its beginning, so that he can lead humanity in the right way. Jesus’ action is both the example and the enabler. With this understanding Irenaeus diametrically opposes Gnostic dualism as Christ actually is “the reconstituted humanity, in whom we can all find our renewed identity and so achieve reconciliation with God.”[13]
            The Good Shepherd leading a flock encapsulates Irenaeus’ threefold undstanding of the atonment, as it is incarnate, active, and encompassing imagry. In the image of Shepherd, “God is a loving being who creates the world and humankind, not out of a necessity nor by mistake – as Gnostics claimed – but out of a desire to have a creation to love and to lead, like the shepherd loves and leads the flock. From this perspective, the entirety of history appears as the process whereby the divine shepherd leads creation to its final goal.”[14] This image is one of active wooing, the shepherd coming near so that humanity might follow. In this image there is the affirming the physical, an active example, and the encompassing of all history - and all reality these entail.
            If recapitulation of all history occurs through Christ, the question of reality and how one apprehends and understands it becomes important. To answer this question humanity has classically built understandings of reality on foundations of certitude. Thus, foundationalism functioned on the premise that there is “the existence of indubitable, universal axioms”[15] that can be known and built upon; or at least there is “the commitment to foundational beliefs[16] on which people build a worldview that explains reality. Yet foundations have become untenable as it has become impossible to prove one can know a foundation with indubitable certitude.[17] As a result, concepts of reality exist within post-foundational frameworks.
            Structuralism and post-structuralism assist in understanding the arch to post-foundationalism and postmodernity. In this scheme, “structuralism operates a bridge between modernism and postmodernism, undermining faith in autonomous reason and radical individualism.”[18] As abstract foundationalism began to collapse, structuralism arose as a final modernist bastion. “Structuralism asserted that language shapes the way humans think, but that the words themselves are arbitrary.”[19] This conception is modernist in that “structuralists assumed that the human mind, no matter the culture, has an innate, universal structure.”[20] This structure acted as the foundation and therefore humans could examine it. The critique soon followed, as “post-structuralism asserts that there is nowhere to stand outside of our language in order to objectively investigate it.”[21] In this step the human observer once again becomes enmeshed into the subject being investigated.
            Enmeshed theories and the realization that the human is not somehow outside observing, but partakes in the observing process, have been incredibly influential in moving to post-foundationalism. Post-foundationalism thus reacts “against the idea that indubitable truth can be objectively perceived by reason alone.”[22] Without indubitable certainty in any one foundation, one is confronted by the reality that “no theory ever stands alone. Every theorist confronts the world with a whole web of theoretical and non-theoretical beliefs.”[23] Some people have reacted negatively to this criticism because they see it as “a discourse that in all its claims to uproot the so-called objectivity of science has done so at the expense of its central subject - the human."[24] Yet, an alternative reading of such theories is possible, one which praises the enmeshedness of the human into the web of theories and observation, as a return to an incarnational conception of reality.
            In the same way Irenaeus’ understanding of the atonement confronted the Gnosticism of his era, it continues to confront the Gnosticism of modernism, foundationalism, and structuralism. In contemporary society, the “modernists [have] nevertheless developed their own brand of Gnosticism when they established that the mind could reach disinterested truth totally apart from the body.”[25] This was the Gnostic form of one type of foundationalism, whereby objective axioms are known with certitude. Another Gnosticism occurs when one speaks of God via structuralism as the speaker will have stated “a belief that was as much about the godlike power of the mind as it was about the truth of Christ.”[26] These abstractions have become isolated from reality and perverted into their Gnostic absolutes.
Gnosticism can be further witnessed when complex matters that ought to be articulated via post-foundational understandings are communicated via reductionalist-foundationist sequences of causality. This has become a contemporary problem with conceptions of the atonement, which often are reduced to: “humanity owed God infinite reparation because sin against God is an infinite crime. Hence, either humanity would have to pay for their wrongs by suffering in eternal hell, or God himself would have to pay for this wrong. This is what God did by becoming a man and dying on the cross.”[27] It is not that these ideas are not true, in that they have no correlation to reality. Rather, to the extent they are conceived of as either maximally the case, or represent an absolute minimum, one finds the Gnosticism of foundationalism. These forms of Gnostic foundationalism are often communicated in refrains of “it may be more, but certainly not less.” Such conceptions do not take seriously the post-foundational web.
Freud acts as a precursor to post-foundational thinking in his conception of overdertermination, which can assist in comprehending Irenaeus’ understanding of the atonement. Overdetermination conceives that there is more than sufficient cause for any event.[28] Therefore, an event may have any number of causes, none of which needs to be considered “the foundation.” Also no one cause must be included in an articulation of causality, if the others articulated are of sufficient cause. Thus, for Irenaeus the incarnation itself can be understood as sufficient cause for atonement, as God identifies with humanity. “It is this identification that atones for humanity’s apostasy by affecting their ontology so that through instruction and empowerment humanity might identify with Christ.”[29] Other “causes” for atonement are not void; yet they need not be mentioned. Nonetheless, within the apparent singularity of Jesus’ incarnational identification with humanity a post-foundational web emerges, as Jesus affects multiple foundations such as human action through instruction and an ontological shift which empowers change. Thus, although this paper has not focused specifically on the cross, it does not cease to be one of the plethora of foundations in an atonement post-foundational web, yet it need not act as the sole foundation either.
            The metaphor of the Good Shepherd mixes well with the post-foundational metaphor of a web. The Good Shepherd is an image of atonement which shows how “God restores humanity’s freedom from the tyranny of death, and instead of using coercion redeems what is rightfully his “by means of persuasion,” as exhibited in his use of instruction and empowerment.”[30] Thus, the coming of the shepherd changes the paradigm, as it participates in “a grand vision of history, [where] the divine purposes unfold through it. The focal point of that history is the incarnation.”[31] One might conceptualize the incarnation as the shepherd walking into the web of a multi-foundational reality. As the shepherd leads, exhibited in the obedience of Christ, the entire web moves; all enmeshed foundations and persons start to move, everything is realted, thus begining the recapitulation of all history.
            In many ways this image is similar to the moral influence atonement theory, yet contains an important difference from a reduced forms of moral infulence theory. The location agency lies differs. In a simplistic moral influence theory, Jesus only was the ulitmate example; yet in Irenaeus’ conception, Jesus acomplished more than only being the example. Through the incarnation, and his subsequent obedience, he had the agency to recapitulate all of history, and now the Christian participates in a new reality, not only following an example while remaining in an old paradigm.
            The Good Shepherd is a beneficial relational metaphor for communicating an understanding of the atonement, similar to Irenaeus’ understanding, to a post-foundational society as it draws together incarnation, persuasion to obedience, and empowerment to participate in recapitulation. The image is a shepherd leading a flock – or stuck to a web – drawing all towards reconciliation with God. This understanding challenges contemporary Gnostic abstractions by affirming the complexity of a post-foundation web, which deeply incorporates the physical human into conceptions of reality.

[1] Douglas Kelly, “Atonement in Irenaeus of Lyon,” Journal Of Christian Reconstruction, no. Winter 1982 (January 1, 1982). pp. 63
[2] Ibid. pp. 58
[3] Robert M Grant, Irenaeus of Lyons (London; New York: Routledge, 1997). pp. 169
[4] Jaroslav Pelikan, The Christian Tradition : A history of the Development of Doctrine, vol. Volume 1 (Chicago u.a.: Univ. of Chicago Pr., 1971). pp.144
[5] Ibid. p.144
[6] Hans Boersma, Violence, Hospitality, and the Cross : Reappropriating the Atonement Tradition (Grand Rapids, Mich.: Baker Academic, 2004). pp. 122
[7] Grant, Irenaeus of Lyons. pp. 139. Italics mine.
[8] Pelikan, The Christian tradition, Volume 1:. pp.145
[9] Boersma, Violence, hospitality, and the cross. pp. 189
[10] Ibid. pp. 123-124
[11] Pelikan, The Christian tradition, Volume 1:. pp.144
[12] Kelly, “Atonement in Irenaeus of Lyon.” pp. 67
[13] Boersma, Violence, hospitality, and the cross. pp. 200
[14] Justo L González, The Story of Christianity: The Early Church to the Dawn of the Reformation., vol. Volume 1 (San Francisco: Harper and Row, 1984). pp. 68
[15] Crystal Downing, How Postmodernism Serves (My) Faith : Questioning Truth in Language, Philosophy and Art (Downers Grove, Ill.: IVP Academic, 2006). pp. 100
[16] Ibid. pp. 100-101 Italics original
[17] Nicholas Wolterstorff, Reason within the Bounds of Religion, Second ed. (Grand Rapids, Mich.: William B. Eerdmans Pub., 1984). pp. 54
[18] Downing, How postmodernism serves (my) faith. pp. 125
[19] Ibid. pp. 125 Italics original
[20] Ibid. pp.125
[21] Ibid. pp. 126 Italics original
[22] Ibid. pp. 102
[23] Wolterstorff, Reason within the Bounds of Religion. pp. 43
[24] David Ross Freyer, “Introduction : Symbols of the Human, Phenomenology, Post-Structuralism, and Culture,” Listening 38, no. 2 (Spring 2003): 78–83. pp. 78
[25] Downing, How postmodernism serves (my) faith. pp. 23
[26] Ibid. pp. 111
[27] Gregory A Boyd and Paul R Eddy, Across the Spectrum : Understanding Issues in Evangelical Theology (Grand Rapids, Mich.: Baker Academic, 2009). pp. 125
[28] Edward Erwin, The Freud Encyclopedia : Theory, Therapy, and Culture (New York: Routledge, 2002). pp. 407
[29] Brad Jersak et al., Stricken by God? : Nonviolent Identification and the Victory of Christ (Grand Rapids, Mich.: William B. Eerdmans Pub., 2007). pp. 452
[30] Ibid. pp. 439
[31] González, The Story of Christianity: The Early Church to the Dawn of the Reformation., Volume 1:. pp. 71

Sunday, October 28, 2012

My Problem with Penal Substitutionary Atonement and How it Relates to Politics.

The following is a response to a piece written by a very eloquent and insightful friend. Garret Menges recently wrote a piece examining the theological concept of penal subtitutionary atonement and the underlying truths it covers up. The piece - entitled "The Power of Myth" - examines the obsession our society has created around the ideas of scapegoat and sacrifice. Garret points to a cultural invention that attempts to solve the inter-communal conflicts that have threatened our existence. When peace is threatened within a community, that community will attempt to find a scape goat, blame all of their problems, sins, illnesses, etc on that individual and sacrifice that individual in order to restore peace. Garret sums it up the following way:
Perceived threat to the community –> Innocent victim is chosen and accused of crimes related to the taboos of the community –> Victim is sacrificed –> Myth is told in order to validate the sacred violence –> Peace is restored to the community for a time –> Repeat
Garret points to the obvious connection between this repeated tradition and the popular Crucifixion story. In much the same way, Christ was chosen as our scapegoat and sacrificed on the cross. Because of this, our sins have been absolved and we may carry on with our lives with a new sense of inner peace and sanctity. This theological concept is known as penal substitutionary atonement (PSA).

Although PSA remains as the dominant theological doctrine within the modern church, it is beginning to see it's share of criticism. Garret takes issue with PSA because it disguises the fact that we are responsible for the murder of a sinless being.
This myth has glorified the violence of the cross to the point that we have forgotten what lies behind it: our participation in the senseless killing of an innocent man.
Not only do I agree with Garret, but I would argue that PSA is a continuation of our flawed and dangerous perception of human nature. PSA argues that violence is needed in order to preserve peace among human beings. It assumes that human beings are inherently at war with each other and will constantly be violent towards one another unless we have an external source to focus our violent energy upon.

This "scapegoat myth" is also why I have a problem with the way in which we exercise modern politics. Thomas Hobbes argued that if humans were left with complete freedom and autonomy, we would constantly fight with each other in a natural state of war. This state of war is a direct result of the combination of our unlimited self interest mixed with a scarcity of resources. Hobbes solution was to create the sovereign - the ultimate authority on the use of legitimate violence. The idea is that we subject ourselves to the laws of the sovereign in fear of its threat of violence in order to establish peace amongst ourselves.

However, I take issue with the idea of the sovereign for a number of reasons. First of all, the sovereign must rely on law, which is based on the idea of universal truths, a concept that is infinitely impossible. Although he would not have been able to even perceive the concept of nation states as we experience them today, Hobbes attempted to solve the problem of universality by drawing boundaries on the power of the sovereign. In this way, laws only need to apply to those within the sovereigns boundaries. Still, I argue that this kind of thinking only solidifies our "us and them" perception on our fellow human beings across the world. It focuses our attention on the perceived differences of each other in an exclusionary way as opposed to way of inclusion and empathy. Furthermore, I take issue with the sovereign's use (and often abuse) of violence, either threatened or actuated. When someone breaks a law, it is the responsibility of the sovereign to punish and make an example out of that individual as opposed to exploring the reasons and motivations behind that individuals crime and addressing them. In other words, the sovereign, through the use of coercion and violence, uses a "band-aid" solution in order to create short term peace - I find that dangerous, lazy, short-sighted, and only serves to promote an unhealthy perception of each other.

So what is my solution? Of course there is no easy answer to this question, although I believe it lies in a closer examination of the perception of human nature that both PSA and the model of sovereign politics builds their theories upon. That is, we believe that we are inherently competitive and self interested individuals who would rather be violent towards one another than cooperate with one another. It is fairly obvious that we make significant advances when we co-operate with each other. I could use a number of examples to prove my point; ranging from family life, to teams working on the next technological advance, to our cooperation with one another in times of extreme crises. However, I think the best example is found within the conception of human, a truly cooperative effort that has kept our species in existence for so long. In this way, we have evolved into social beings who constantly need to be connected with one another, whether that's through friendship and family, or through the social networking sites of our age. We have too much empathy built into our system to be in a constant state of war. The only way we are able to harm another human being is if we blind ourselves from their common humanity and block our empathic neurons.

My biggest problem with PSA and the sovereign model of politics is that it further perpetuates the myth that we are inherently violent creatures and that we will constantly be at war with each other. Instead, I prefer to view our violent tendencies a form of illness that have corrupted our human nature. One central thing we forget when we talk about the story of Jesus is that he is not dead. This tiny detail has huge implications when we examine his life. Jesus taught us to love one another, to recognize the common humanity within us all, and to cut out the violence towards one another. This message was so threatening to our traditional and comfortable way of thinking that we put him to death. However, Jesus resurrection demonstrated that his message cannot be extinguished even by death. Jesus took away the power of violence and coercion and replaced it with one of mutual cooperation and love.

Sunday, October 21, 2012

Hipsterdom/Hipsterdumb?

I recently read this article: Hipsters and Low Tech

It's a great article and makes some very interesting points. One of the things, however, that I have been reflecting on again recently is the very nature of the word "hipster"... which is used throughout the article.

The word hipster often has a distinctly pejorative connotation that I think comes through in the article, and can be much more blatant in conversation in phrases such as "I hate hipsters," which I have heard on multiple occasions, or the current ads for some job search website that read "Hipster is not a job."

It is also an interesting aspect of "Hipsterdom" that many "hipsters" will deny the label...

A friend of mine spent years denying that he was into hipster music... "I just like music," he would say. The hipster in his mind were the pretentious kids who liked a type of music because it was "cool"...

So what defines a hipster? Is it clothes? Or stuff? Or attitude? Or something else?
the fetishization of low-tech is about the illusion of agency; it provides affirmation for the hipster whose identity is defined by the post-Modern imperative to be an individual, to be unique...The hipster aesthetic reflects an ideology of hyper-individualism, though this individualism is itself paradoxical because it is socially mandated.
This great quote (above) from the article, gets near the heart of the hipster critique.

I think what is at the root of most negative judgement levelled against hipsters is:

that there is something false and illusory about hipsters - that their fashion, toys, music are all accessories carefully arranged to create a particular image in order to establish a unique identity and thus fit in. One of the comments in the article used the term "posed authenticity"

It is this final goal of social acceptance through false social rebellion that is a primary target for critique.

If true, the critique of hipsters is also of a shallowness.

Hipsters, in their most shallow, are obsessive devotees to the "cult of cool"; at their best, setting trends and at the worst, chasing them, while pretentiously considering themselves above corporate western culture...

Now, let's go through the checklist:

  • I have a vintage leather jacket from the '70s.
  • I have a polaroid camera collection.
  • I've read and listen to Zizek.
  • I have a some plaid shirts.
  • I shop at thrift stores.
  • I love Wes Anderson movies.
  • I have a tobacco pipe collection.
  • I used to own a '71 VW bus.
  • I cut my own hair.
  • My jeans have become skinny.
  • I have a beard.
  • I own an Apple computer.

The only areas I fail the surface hipster test are in music and bike riding.

And I definitely resonate with a desire for the opt-out.
The hipster low-tech fantasy–"the dream of the 1890s"–is one of escape from the complex socio-technical systems that we are highly dependent on but have little control over. It is a fantasy of achieving the most radical expression of individual agency: the opt-out.
So yes, I will ruefully accept the label hipster if you would like to use it on me in whatever sense you feel applies. And I will acknowledge that some of the hipster critique is probably validly levelled against me.

I will acknowledge that I have escapist tendencies; that when I was in high school I wore baggy pants and swore that that would never change; that I find the complexities of modern life overwhelming and difficult to navigate. I am, by nature, an idealist, and struggle at gut level with compromise. I could be legitimately accused in participating in a false rebellion: I supported #Occupy but I didn't occupy anything. I am not a rebel. I am, at most, the image of a rebel. I like my parents...

How can there be real rebellion when rebellion is integrated into the system? I am looking for a radical middle but can there ever be anything radical about the middle?

Allow me a moment of self-indulgent hipster sympathy...
If everything is f#%ked, why not grow a moustache and bury yourself in anxiety reducing irony? 

I think that our contemporary culture can fairly be labelled escapist... which means that "all of us" on some level are aware of how screwed up things are...

Everyone is escaping; they are jet setting on holidays to Mexico; or they are playing massive multiplayer games online; or watching all of their favourite TV shows; or drowning themselves in drugs and alcohol; or work; or sex; or books; or sports. I think have effectively defined away reality...

So what are we escaping from? I think we are trying to escape the hard realities of mortality, not just that we will die but also a lack of meaning and the realization that life is short and we are small, but our problems and the problems of the world are large...

Do we hate hipsters because at both their best and worst they affirm our fear that meaning is an illusion? If the low tech fetish of hipster is not attacked, if those who would opt out, are not undermined as hypocrites, is it possible that the industrial illusion of progress might begin to crack and crumble?

Is the person we have, with disdain, labelled a hipster, fairly critiqued for 'posed authenticity'? Or is their ironic and eclectic choice of clothes, hairstyle, etc an explicit, intentional and acknowledged rendering of the inauthentic and posed nature of lives and interaction? Am I aware of the social forces that have constructed me and my wardrobe? Are you aware of the social forces that are moulding and shaping you? 

So I finish with a few questions:

  • Does the word hipster have a pejorative connotation? Or is it neutral?
  • In your opinion/experience, is a "hipster" primarily defined by: clothes, music, moustache, or a pretentious attitude?
  • Are "hipsters" validly critiqued as hyper individualist? Why or why not?

Thursday, October 11, 2012

Black Square 62.1.5



            Black Square was originally painted in 1915 by Kazimir Malevich, a Russian painter. He pioneered geometric abstract art and avant-guard suprematism. He follows in the line of growing abstraction within art. As is evident in Picasso’s works the subjects become more and more abstract, which developed into cubism. The subjects, people, things, vistas, were broken down into rudimentary shapes. This breaking from form can be understood as an attempt to get behind what is perceived to what is known, or conversely showing that nothing can be know only perceived. In moving to abstraction, and non-direct representation the era sought to define itself. As the cultural milieu sought to define itself, so to did painted art. Malevich incorporated cubism into his works, as did many others. Malevich, however, took cubism to its logical end. 
            In looking for what represented pure artistic feeling, Malevich broke everything down to geometric shape and solid colour. The cornerstone of his exhibit was “Black Square”. It defined what is known or felt as black, and the rudimentary form of square was totality. Created in 1915, as WWI raged in Europe, “Black Square” can be understood as art’s response.

 
            Not only did Malevich create “Black Square”, a statement in itself, the way in which he hung it was of utmost importance. He hung the square from what is called the red/beautiful corner, which in Russian Orthodoxy is the place of the Icon in the house. In so doing, Malevich not only made a formidable painting. He proposed an even more totalizing idea: that true knowledge or reality can be summed up in “Black Square”. In so doing, he painted his manifesto “From Cubism to Suprematism” into reality.


            Though it is no longer 1915, it is my perception that many of the same emotions and outlooks pervade our society. Looming ecological disaster, militarization, national brinkmanship, continuous knowledge that at any moment nuclear accidents can ruin the entire globe, all result in a “Black Square” looming over our everyday lives.
            “Black Square” captures me as a person. When I look at it, and when I ponder it, it resonates with me deeply. (This should not be too much of a surprise to those who read this blog often; I am sometimes critiqued for being too pessimistic and negative). In “Black Square”, I see my own complete nihilism. It makes sense. Reality often seems more like a chaos then a cosmos. “Meaningless, Meaningless” is a refrain that comes blowing on the wind; it is a refrain that inspired the origins of this blog. Wallowing and uncertainty find themselves in the Icon of “Black Square”. It is something that once I discovered has not left me and often floats to the forefront of my mind. It has almost become a fetish of faith for me, something to which I cling. No matter how depressing it seems it grounds me in reality.
            I have been very fortunate to see many of Malevich’s paintings on display in New York on my various visits. “White on White” is a compelling piece but does not hold the same power for me as “Black Square”. Yet, as I looked at art this past summer, I became inspired to physically create my version of “Black Square” that has been percolating in my mind for the past eight months or so.
            “Black Square 62.1.5” is my rendition of Malevich’s “Black Square”. I have added a little, imperfect, blip of white, which I pulled into a seven-pointed “star”. It now hangs above my desk in the red/beautiful corner of my apartment. The “star” is small, centered, and is either breaking through the darkness or receding into it. It is my icon, my window into the divine, my grounding on earth when sometimes it seems all is “Black Square”, at those moments I remind myself I chose to profane “Black Square” with white.
            The day I finished it, my roommates had some people over, and they wanted to hear what I meant by it (which I have just told you). First, I asked for their impressions. Foreboding, empty, and alone, were words they chose to describe it. Then a curious remark, that I like very much, was stated, “The longer I look at it the smaller the white dot seems to get”. I think this is true, the longer the stare, the farther away the perceiver becomes. Almost as if we retreat into ourselves at those moments of contemplation.
            As for the title, “Black Square 62.1.5”. I hope the “Black Square” part is evident enough. 62.1.5 is a reference. I have chosen to name all my paintings with a numbered code. Book62.Chapter1.Verse5 “This is the message we have heard from him and declare to you: God is light; in him there is no darkness at all”.