As we enter Holy Week, we approach the end of Lent. I have not always been a fan of the liturgical calendar, but it is slowly growing on me. I think it has something to do with getting older, years blending, and time (age) being less important. For me this blending comes with a sort of nostalgia for the repetitions of existence. Maybe it was just the circles I am traveling in this year, but Lent took on new potency. In a large part because of the “hit” of Atheism for Lent, as it shed some alternative perspectives on what Lent might look like for individuals.
I am not
very good at giving things up for Lent, nor have I found doing so to be a formative experience. Therefore,
this year, rather than giving up something, I decided to intentionally reflect.
I was not sure what that might look like at the beginning. But as Lent progressed,
I found myself thinking a lot about the void, nihilism, and the abyss. This is
not an uncommon state of reflection for me, nor was it disconnected from my academic
studies. I read Feuerbach’s “The Essence of Christianity” for class, in which
he argues all of Christianity is just projection of Man onto the Heavens. This can
be troubling for some to view their beliefs as nothing more than projections of
themselves, yet for me it was a devotional endeavour. Examining
beliefs, finding myself within them, analyzing what might be me, what might be “other”
than me, was an interesting process. In this reflective state, there is a lot
of time to view one’s own evil, sin, loss, failure (whatever you want to call
it). This posture leads back to my own emptiness, the hollow shell of
life, the meaninglessness of existence, and often the pervasive experience of
the absence of God.
When I
stare into the void, I am either wooed in, or propelled outwards. The abyss has
the ability to offer a strange sense of solace, in the absence of all there is
deep calm. OR, my surroundings propel me back into the sensual reality around
me. The necessity of food, life, light, routine all act as forces pulling me
back into space and time. It is a dance, to and fro.
These
reflections were furthered by Kierkegaard’s book, “The Sickness unto
Death.” In which he argues that the self’s relation to itself, by necessity,
must be realized through an external third. Thus, everyone is in despair if
that third is not God. Yet even if you think you are relating to God, you are
probably not, because it might be your own piety, or any number of Idols you
think are God, but will in fact be revealed to not be God. (Peter Rollin’s new
book “Idolatry of God” explores some ways of thinking about this; considering that God is
often an idol of certainty and satisfaction, not in fact God). In this, the
void is ever present; it is just beneath the surface of the things that pull
away from the void. Beneath the joy of one moment is the emptiness of the next.
The
final part of my reflection was writing the paper I posted two weeks ago, “Is Evangelicalism Worth a Bailout.” In which I consider the intersection of
Capitalism, atonement theory, the rise of Evangelicalism, and environmentalism. While dwelling upon this topic, I was once again confronted by the horrors of
human action, the stark depravity of the systems we have created, the rape of
Mother Earth, and the blame we all must own due to our complacency with such
systems.
It was a
Lent full of lament.
I often
find myself thinking in images. As I was considering the world, reflecting upon
Lent, and the death of Jesus, I was drawn back to two of my favourite artists.
First, Kazimir Malevich, who confronting despair, anxiety, and life reduced
things to geometric shapes. (See Black Square, my first interaction with
Malevich).
The
second artist is Emily Carr, which is probably due to living in Vancouver. One
of her paintings is probably my favourite rendition of the crucifixion. The
three trees remain after a clear cut. They draw the viewer into the heavens. The painting confronts one with the horror and ecological destruction of clear
cutting the magnificent old-growth forests of BC. Simultaneously, however, the viewer is being
drawn out of one’s horror and into the light.
I took
some time this reading break to work on a project of depicting my Lenten
reflections by bringing together these two artists. I painted a crucifixion scene. It is a grey cityscape,
which doubles as a Malevich inspired Cross. I think the rest is self-explanatory.
I have found it helpful as an Icon leading me into the despair of the cross. In
the spirit of Atheism for Lent, I encourage you to use it as an Icon of despair
this Holy Week. As we move towards Friday, try to experience it without the knowledge that Sunday is
coming. Experience the week as if Friday is the END.
42.23.34:
“Jesus said, ‘Father, forgive them, for they do not know what they are doing.’”
I would
love to know your thoughts, questions, comments, and emotions, regarding this
piece or anything I wrote.
